BFI • 28th August 2024

Persona + introduction by Lilia Pavin-Franks

A written version of the introduction I gave to a screening of Persona at the BFI on 28th August 2024.

WeLoveCinema • 29th December 2022

25 Best Films of 2022

Words on BONES AND ALL and THE WORST PERSON IN THE WORLD

WeLoveCinema • 31st December 2021

Man of the People: Gene Kelly and An American in Paris

WeLoveCinema • 23rd December 2021

25 Best Films of 2021

Contributions on MINARI and THE POWER OF THE DOG

WeLoveCinema • 23rd November 2021

The Strings review – atmospheric indie horror lacks oomph

WeLoveCinema • 22nd July 2021

Girlfriends review – feminist classic feels just as fresh in 2021

WeLoveCinema • 6th July 2021

Lady Boss: The Jackie Collins Story review – a crash course that could have gone further

WeLoveCinema • 23rd June 2021

Sweat review – layered drama about the dark side of #positivity

WeLoveCinema • 18th June 2021

What Is the Best Scene in a Musical Film?

Contribution on ON THE TOWN.

WeLoveCinema • 2nd June 2021

Bitches of the Badlands: The Myth of the American West Through the Female Lens

WeLoveCinema • 23rd April 2021

Black Bear review – Aubrey Plaza shines in a chaotic meta-movie

WeLoveCinema • 23rd April 2021

I Blame Society review – a sarky stab at Hollywood sexism

WeLoveCinema • 19th April 2021

Ride or Die review – manga adaptation fails to find its feet

WeLoveCinema • 25th March 2021

The Dose review – ghostly thriller wastes an interesting premise

WeLoveCinema • 24th March 2021

P.S. Burn This Letter Please review – essential portrait of 50s underground drag

WeLoveCinema • 24th March 2021

Cineworld Announce Plans to Reopen in May & Strike Deal With Warner Bros.

WeLoveCinema • 23rd March 2021

Sweetheart review – painfully British tale of family and growing up

WeLoveCinema • 18th March 2021

My First Summer review – teens blossom in delicate Aussie drama

WeLoveCinema • 15th March 2021

10 Must-See Films at BFI Flare: London LGBTIQ+ Film Festival 2021

READ ME: Girls on Tops • 12th March 2021

Queer Identity, Pop Culture And The Short That TV Forgot: Rosebud at 30 —